![]() My “Introduction” presents an overview of Dante, culminating in the vision of Matilda gathering flowers in the Earthly Paradise of Purgatorio XXVIII. Imagination and Knowledge in Purgatorio XVII–XVIII Giuseppe Mazzotta The Strangeness of Dante: Ulysses and Beatrice Harold Bloomĭante’s Interpretive Journey: Truth Through Interpretation 287 William Franke Synchronicity 177 María Rosa Menocal Purgatory as Paradigm: Traveling the New and Never-Before-Traveled Path of this Life/Poem Teodolinda Barolini Infernal Metamorphoses: An Interpretation of Dante’s “Counterpass” 119 Kenneth Gross The Light of Venus and the Poetry of Dante: Vita Nuova and Inferno XXVII 145 Giuseppe Mazzotta The Otherworldly World of the Paradiso Jaroslav Pelikan Manfred’s Wounds and the Poetics of the ‘Purgatorio’ John Freccero Autocitation and Autobiography Teodolinda Barolini Singletonįigural Art in the Middle Ages Erich AuerbachĮpic Tradition and Inferno IX David Quint ISBN: 0-7910-7658-X Chelsea House Publishers 1974 Sproul Road, Suite 400 Broomall, PA 19008-0914 Contributing Editor: Grace Kim Cover designed by Terry Mallon Cover: © Stefano Bianchetti/CORBIS Layout by EJB Publishing Services Library of Congress Cataloging-in-Publication Data Applied. Printed and bound in the United States of America. ![]() No part of this publication may be reproduced or transmitted in any form or by any means without the written permission of the publisher. ©2004 by Chelsea House Publishers, a subsidiary of Haights Cross Communications. Harold Bloom Sterling Professor of the Humanities Yale University Tennessee Williams Thomas Wolfe Tom Wolfe Virginia Woolf William Wordsworth Jay Wright Richard Wright William Butler Yeats Emile Zola Ivan Turgenev Mark Twain John Updike Kurt Vonnegut Derek Walcott Alice Walker Robert Penn Warren Eudora Welty Edith Wharton Walt Whitman Oscar Wilde Salinger Jean-Paul Sartre William Shakespeare George Bernard Shaw Mary Wollstonecraft Shelley Percy Bysshe Shelleyīloom’s Modern Critical Views Alexander Solzhenitsyn Sophocles John Steinbeck Tom Stoppard Jonathan Swift Amy Tan Alfred, Lord Tennyson Henry David Thoreau J.R.R. Le Guin Sinclair Lewis Norman Mailer Bernard Malamud David Mamet Christopher Marlowe Gabriel García Márquez Cormac McCarthy Carson McCullers Herman Melville Arthur Miller John Milton Molière Toni Morrison Native-American Writers Joyce Carol Oates Flannery O’Connor Eugene O’Neill George Orwell Octavio Paz Sylvia Plath Edgar Allan Poe Katherine Anne Porter Marcel Proust Thomas Pynchon Philip Roth Salman Rushdie J.D. ![]() Jamaica Kincaid Stephen King Rudyard Kipling Milan Kundera D.H. Scott Fitzgerald Sigmund Freud Robert Frost William Gaddis Johann Wolfgang von Goethe George Gordon, Lord Byron Graham Greene Thomas Hardy Nathaniel Hawthorne Ernest Hemingway Hermann Hesse Hispanic-American Writers Homer Langston Hughes Zora Neale Hurston Aldous Huxley Henrik Ibsen John Irving Henry James James Joyce Franz Kafka John Keats Eliot Ralph Ellison Ralph Waldo Emerson William Faulkner F. Samuel Taylor Coleridge Joseph Conrad Contemporary Poets Stephen Crane Daniel Defoe Don DeLillo Charles Dickens Emily Dickinson John Donne and the 17th-Century Poets Fyodor Dostoevsky W.E.B. Bloom’s Modern Critical Views African American Poets: Wheatley– Tolson African American Poets: Hayden– Dove Edward Albee Dante Alighieri American and Canadian Women Poets, 1930– present American Women Poets, 1650–1950 Maya Angelou Asian-American Writers Margaret Atwood Jane Austen Paul Auster James Baldwin Honoré de Balzac Samuel Beckett Saul Bellow The Bible William Blake Jorge Luis Borges Ray Bradbury The Brontës Gwendolyn Brooks Elizabeth Barrett Browning Robert Browning Italo Calvino Albert Camus Truman Capote Lewis Carroll Willa Cather Cervantes Geoffrey Chaucer Anton Chekhov Kate Chopin Agatha Christie
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